My Duct Taped Heart (a poem)

I’m awake early, even before my alarm.
Lieing in bed listening
to the rolling thunder, wondering to myself.

I know a rain spout is loose,
it was duck taped on.
It worked for a season but even that

finally came loose and free.
I don’t know how to fix things.
I wonder about my father and why he never taught me

how?  Now he’s gone.
I can’t ask him that and many other questions.
So I wonder,

Lieing in bed
listening to the thunder and knowing the rain pours down.
There are so many things I want to fix.

I was raised to think I can’t.
For now, I will lie here
and wonder.

What’s changing, so that I can be writing!

This is such a busy time for folks with kids.  We are living the last month or so of school and for whatever reason my kids seem to teeter on the brink of things this year academically, spiritually, emotionally — this has been a challenging and demanding year.  With summer looming, there will be any opportunities to stick our feet in the river and less time to write.

I am thinking about that tension.

I’m starting to work more seriously on writing projects. As I listened hard at the Festival of Faith & Writing  and looked at my writing life and habits, I realize that I need to cut back on some things before I can ever dream of space to write every day.  (I know I have a lot to tell you about that experience, the festival.  We’ve been back a week and there’s been no time!)

Projects that I’m working on:

I am working on a book review of the book Eating Animals by Jonathan Safran Foer for The Englewood Review of Books and hope to do more of those, both for Englewood and other publications.

I continue to write for Provoketive magazine:  This included a review of  the book Resignation of Eve by Jim Henderson, a piece titled The Accidental Stay-At-Home Mom and others, but by far the most popular essay was The Voice of the Feminine.  That content is not repeated here on my blog  so you will have to pop over to there to read it.  I hope you will.

I am working on a short series of articles on “The F word and the Church.” (Yeah, that F word: feminist.)

I am really excited to hear that I will have some poem in a book about fear titled Not Afraid to be published around August, 2012 by Civitas Press.  (This is the same press that published my essay on Depression in their book Not Alone which is available now. If you know someone who suffers from depression this book may help.  I have been told by many people that it has been a good, honest resource.  I also have many pieces on my blog about my personal trials with the black dog of depression.  They are collected here. )

What I want to change:

One thing that I find to be soul crushing and destructive for me is Facebook.  Being at-home with such great flexibility to my schedule  I see that I allow many things to interfere with the “work” of writing and with spiritual growth.  Facebook is such a time waster for me.  I’m inherently curious, nosy kind of person and the fact that I can vicariously follow along other’s lives is bad for me.  That’s where the soul crushing part comes in.   It’s like high school insecurity all over again.  So I’ve been tempted to quit completely.

Image by JJ Pacres on Flickr

But at the Festival of Faith & Writing I heard over and over that writers must have online presence and following.  We have to nurture that and  be able to “prove” our popularity to a publisher.   But the flip side of that is that it is just not good for me!

If I don’t have time

to think,

to be,

to write and

to allow the Holy One to mold and move me (not really in that order.)

So I’m backing off of social media  for a season — except here.  I’m really going to try to do this moderately.  When I got hooked on Farmville (of all things — proves I can get addicted to anything!) I had to quit cold turkey and I did.  I don’t want to do that with Facebook because I don’t like being an all or nothing person.  But I’m going to try to limit my time there.  And set some writing goals for the next few months.  I look forward to sharing those with you.

Another thing that I learned at the festival was that I need to hone the purpose of my blog.  Mine has multiple messages and intents.  I have been known to write about:

  1. family (dysfunctional and otherwise.)
  2. God and devotion, faith and (dis)belief
  3. women in the church, feminism as a Christian’s option
  4. various justice issues
  5. my alcoholism and addictions
  6. my church – Blackhawk Evangelical Church
  7. poetry on all these topics
  8. prose on all these topics

Is there anything in particular that you come here to read?  Where do you see my passions and strengths converging in helpful ways?  Would you add more of anything?

Grace & Peace. Melody

Resentments (a poem)

Sitting.  Fingers frozen, tapping on my laptop with
birds really chirping!
A cacophony of praise to the Holy One.

The wonder of it.
Sun shining. Blessed,
I am conscious of my dirty heart. So often
resentful, feeling left out or uninvited

to the party.

(I’m starting to think Facebook isn’t good for my soul) and

He says to me:

Enough.
I want to be enough.
I Am.

Choosing. (A Poem about Change)

[Being wounded] came effortlessly,

like an comfortable sweater

she put it on easily, too often.

Frayed and worn,

pain became her fate.

[Being changed]is hard, and only

comes by choosing.  An old woman or a toddling child,

each must take

a step.  It’s faith in the making.

Being wounded or being changed

comes in the choosing.

The Offering. (A poem about our words being an offering)

I have always known that words have power
to disappoint and even threaten.
They so often offend and injure, colliding with others
perceptions

of me,
of themselves,
of life together in this messy place.

And words heal,
offered as a rich confession that brings one to the edge of truth
and back again to our plain old lives.
Sometimes it’s a sweet and holy thing,
words.  The offering.

If I didn’t choose to put pen to paper, finger to keyboard?
What if, what then?  If I didn’t fight to get
this very moment down through distractions, through issues and problems of my day.
What if I stopped fighting for these words?
Driving along, I feel that anxious gnawing in my stomach, again.
I am full of self-loathing, doubt and fear. I hate this weakness, but I am questioning every word put down,
wondering how and why.
Why try so hard?
But then I know.

I would write even if no one tells me I’m good.
Then it’s said to me: “you’re good” and I don’t believe.  Or I wonder,
is this enough?
These thoughts, do they change
anything
anyone
for
the
better?
This not merely about purpose.
It’s not simply about being good or even great at this craft.

I don’t know why I write, except that I was made for this.
Each thought, scratched out on a piece of tattered envelope is an offering.
Each confession a piece of me. My flesh, my hopes, my mind
are all there on the page. I write.
This is what I was made to do.
And I will have to leave the rest up you.

———————————————

Something else I wrote on the negative power of our words, Hatred’s Sweet Kiss.

Family in Town (a poem about family, loss, addiction, and change)

Family in town and from out of town
sometimes means heavy remembering,
and just a little trying to forget though you are
no longer disappearing.

Into the bottle.

Family in town means many goings-on,
even when you’re sick and tired.  It means
running out of money. It means trying hard to make everyone
happy.  Trying hard to just be.

Happy.

Family in town
means someone drinking too much, and
everyone else acting like it’s not true.
Your triggers activated, but sticking to the
almost- four- years- sober- kind -of- truth.

Family in town means laughing, lots of gut busting laughter,
Eating too many desserts, and wondering if you’re
forgetting something important.

Family in town, you remember and forget.

People gone.  People here.

You don’t get to choose
Family in town.

the middle years (a poem about aging and knowing that you don’t know…much of anything)

The middle years
of middle age come without fair warning.
Raising the young
who think they know everything.
And those of us solidly wedged into midlife know
with confidence, that we know next to nothing.

The middle years are half way to a certain death,
while breathing in a life we did not pick.  For
life happens even as you make plans, dream dreams, and pray.

The middle years
when the body betrays,
the heart is crushed
by what actually happened,
not our plans.
The mind with every strong conviction
is suddenly even more
uncertain.
Oh, for the days of knowing everything!
But then going back there to certainty
would mean doing this
all over again.

Where are you From? (A not so whimsical look back…)

I am from…..

I am from the smells of good coffee, books scattered everywhere

and music always playing in the next room.

I am from the slightly worn leather and hard wood floors.  Used cars paid for in cash and furniture that needs replacing.

From dust bunnies chasing  us, while the dog and cats complain of inattention.

I am from things growing in the yard.

I am from a place of strangers always welcome.

I am from explosion of colors, herbs growing and losing myself in the garden.

I am from full stomachs, the yeasty smell of home made bread and pressure to be something lingering in the air.

I am from homemade cherry pie.  And lilac blossoms shocking in the spring.

I am from trees.

I am from vacations nowhere doing nothing.

I’m from holding hands when we pray and strong opinions and sarcasm.

I am from missionaries always working and  a waking up early, kind of reverent Bible believing.

I am from gratitude.

I’m from hugs, often and long.  And loud harsh ideas exchanged.

I am from shouting.

I am from doubting love.

I’m from children being seen but not heard and being told to “shut up” in Tibetan,
and Jesus loves the little children, and the Lord takes care of those that take care of themselves.

I am from the place where work is everything.

I’m from sharing what you are thankful for even when you are not thankful.

I’m from Papua New Guinea and Texas and Tibet, California and Wisconsin.

I am from Chinese food and Mexican, but not together.

I am from telling stories well and often.

I am from public shame and public affirmation.

I am from a long, carved alligator wooden table, with shells in its eyes. And a coveted conch shell.

I am from the place where secret memories are hidden deep.

—————————-

I really tried hard not to try too hard on this.  One could rewrite such a poem forever.

Adapted by Levi Romero. Inspired by “Where I’m From” by George Ella Lyon. Inspired by this idea from Ann Voskamp.  This was the template.

Highs and Lows of being an Artist in the Church

I know how blessed I am by my church though most of the time I wish only for a few deep connections.  

But a mega church blesses others when they can put on a quality mini-conference.  This weekend I attended the Pulse Arts conference sponsored by Blackhawk in Madison, WI.   It’s a unique event that brings together worship leaders, songwriters, visual artists, dancers and anyone who considers themselves “a creative” for a 24 hour blitz of music, learning and rubbing shoulders with others of a kind.  For one brief period it feels normal, even great, to be an artist and a Christian.

Two years ago I met a few artists at a Pulse event who have since then became more than acquaintances, though not quite friends. I am collaborating on a Stations of the Cross art show in a few weeks with six other visual artists and a half-dozen or more musicians.  This materialized from relationships made at the Pulse conference.  I had to put myself forward as wanting do something collaborative. Oh how I hate to put myself forward — It’s so scary.  More on that later.

Ego and Self-esteem.

Is it just creative types that are the unlikely and slightly grotesque blend of both insecure and full of themselves?

I speak for myself when I say that it is hard to be a creative and a follower of Jesus’ teachings.  We know we must be original, even imaginative.  We know we must put ourselves forward, promote ourselves and our work.

At an event like Pulse where there are some who have “made it” the conversations were dominated by the singers and songwriters who haven’t made it who are full of puppy dog, hero-worship.

I went this weekend wanting, even needing, to have deep discussions about art and faith — mostly our deep faith as an artist.  In that aspect I was a little disappointed.

Creating Art for Art’s sake.

(Who decides what’s good anyway?) 

Creatives live with the tension between our need to be fresh and original, all the while knowing there is no new idea under the sun. We also know for a fact that unless you promote yourself you may toil in obscurity forever.  But self-promotion is an anathema, at least to me.

I spent a lot of time this weekend thinking about this connection between making “good” art, success and self-promotion. 

Someone promotes themselves really well and gets a ton of attention for their thing, whatever it is.  I look at it and think it is about nothing.   Do I simply not know quality when I see it? How do “the Arts” and artists in general win, if we’re simply promoting (and opening doors) for our friends without being objective about the quality?  Yes, that’s the way the world works.  And if I’m unwilling to play the game, should I just give up now?

Before you start thinking I’m just whining because I haven’t personally been “discovered” I hope you will read on.  It is so much more complicated than that.

Essentially, art is useless.

We all know that.  We have complex reasons for creating.

In the positive column, the reasons are many. We hope to help others escape or enter a different place in a good beautiful way through the images or words or ideas or music we make.  We hope to challenge someone to a different way of thinking.  One of the sessions talked about creating for or out of a renewed sense of wonder with the world God created. We create to challenge and to point toward injustice and ugliness of the world, in the hopes of bringing change. And especially if we are believers, we create out of a wish to comfort and console, to move others toward the consolation of God.  This is not a Hallmark conclusion, but as Tolkien said in his essay On Fairy Stories, we accept “the happy disaster” of this life. Tolkien the master of language and communicating even made up a word for “the happy disaster” calling it eucatastrophe.

As artists who are Christians we are able to create a sacred space in time for others that accepts the long defeat of this life and yet also reflects the hope we have in Jesus.                                                      

I suppose in the end I was able to see very clearly this weekend that the “experts” are simply people a little further down the path, who are pointing out what they have learned.  Depending on their facility to talk about it, the depth of their self-awareness, the richness of their experience with Christ, and how well they tell their story, they may or may not be able to help someone else.   But there is no magic to it.

I also faced that no matter how much you may believe that you are creating something worthwhile, something more than “useless art” the tension exists that success for the artist, just like everything else in the world, and can be simplified down to being popular and cool. Yes, we’re all still living in a perpetual hell of high school.  Each of us has within us something unique to give, because we are gloriously different from one another, and yet sadly that doesn’t guarantee success.

How does One Succeed? These are the people who succeed: (mostly) Those that have a combination of skinny good looks (yes, even Christians idolize youth), an ability to communicate well with others and a willingness to do self-promote, to learn and work the system, a tireless belief in themselves and lastly a strong ego.  They are the ones that usually “make it.”  Yes, cynical me.  There are exceptions of course.

Downward Mobility of Christ

Ironically this success formula is nothing like what we Christians are called to, which is the downward mobility of Christ.

In the end I realized that I must be willing to do some of that self-promotion and there is no shame in it, if you don’t want to toil in obscurity.

But as it is equally imperative to create from an inner, original space.  And it must not, dare I say cannot, be motivated out of a desire to succeed–to reach the big time.  I must create from that place of absolute acceptance that I have received from God, the place of being loved by the Holy One.  God made only one of me, only one of you.  Do the thing he has given you, your creative work, out of that place.

Lay it down, yes your best work, as an offering to the Holy One and continue to create, write, dream, and give of your heart.

Not gazing out, or up toward the desire for success but looking down, setting it down as an offering to God. 

It may seem like you are giving away little pieces of your heart to just a few people here and there.  (Okay, I speak for myself when I say that.)

But I was encouraged this weekend.

I came away still believing that word followed by word, image by image, song by song, we are making sense of the world through our art.

Yes, we are to work

backward,

downward,

toward a perfection that is found only

in creating for the Holy One.

How to Be Alone

A poem and video about being alone.

IMPT. Stark and beautiful.  It holds a piece of my heart. (Except I don’t dance.)

Don’t be afraid to be alone!

A video by filmmaker Andrea Dorfman, and poet/singer/songwriter Tanya Davis. Davis wrote the beautiful poem and performed in the video which Dorfman directed, shot, animated by hand and edited. The video was shot in Halifax, Nova Scotia and was produced by Bravo!FACT.

On Motherhood, On Children

I’ll be the first to admit it.  I fight daily with the little devil on my shoulder.  That being tells me lies.

I feel it so vividly – the tensions of being a stay at home mom, a lack of validation in the culture at large for motherhood or stay at home parents, and the voice inside me telling me almost every day “It’s not enough! Do more, be significant, something special.”  A lot of my poetry recently has come out of that place.

God has reminded me, for some reason, of the truth that we never know whose mother we are — in that we don’t know who our children will become. If we knew that our sons or daughters, nieces or nephews, would grow up to be the next Barack Obama, or Madeleine L’Engle, Joan Chittister, or Scot McKnight, or Michelangelo, whomever, would we look at parenting, at mothering, differently?

They all had mothers.

Fathers.  Aunties and Uncles.

Your role in the life of a child is a role that only you can fulfill even though most days you likely consider it insignificant.

This post was inspired in some part by reading this.

Upward Mobility (a poem)

Earth ‘s crammed with heaven… 

But only he who sees, takes off his shoes.  – Elizabeth Barrett Browning

More than once, in fact
dozens of times in the Big Story of the Torah,
responding to God meant
falling face down on the ground.
Blinding light,
being pregnant with plain old
awe.
Take off your shoes kind of wonderment.
Because you’re on holy ground.

I am so unseeing.
Everything in me,
in my dusty, meager day to day corporeal living
roars something else.
At me. In me.  From me.  To me.
Lift yourself
up. Rise higher, get
above the next fellow.
Upward mobility. Show
your stuff. Your smarts. Your
talent and creativity.
The world is shouting in my ear.

Then I close the door, and
find within, in
my paltry worship, my measly human love.
All I have is a quickening heartbeat, throwing off
the chasing anxiety.
All I want is a falling face down on the ground, kind of awe.
When was the last time I felt
astonishment in God?
A breathed in, have to close my eyes
star struck, stomach lurching,
take off my shoes, because I’m on holy ground

kind of amazement of my God?

All I want.

When was the last time?